A LEARNING BLOG WITH PHOTOGRAPHY TIPS
FOR THE MOM AND LANDSCAPE PHOTOGRAPHER
In Part 1 and Part 2 of this black and white series, I shared some tips with you on how you can create images in-camera that will result in strong black and white photos. However, creating a strong image in-camera is only half of the creative process when it comes to a black and white image. Strong monochrome photography is not complete without a good post-processing conversion. There are many different styles when it comes to black and white imagery; no one is correct. There are also many different presets for black and white images that you may find useful. My advice to you is that you should experiment in your post-processing. By doing this, you’ll find a style that you like. When processing an image for black and white, I do have a few tips to share with you. Here are those tips for your consideration.
The tonal range in photography is simply the span of tones across an image from pure black through brightest white. The histogram below was...
I adore the drama and timelessness of black and white images, but there are certain secrets to creating a strong black and white image. If you missed Part 1 of this Black and White Photography series, you could find that here. Last week, in Part 1, I discussed the important role that colour, shape, and composition have in creating a powerful black and white image. This week I want to share with you three more elements within a photograph that help make a strong black and white image.
Texture, whether smooth or rough or somewhere in between, can add depth and interest to a black and white image. Textures are enhanced within black and white photos. Texture can make a black and white image come alive, infusing a touchable feeling. Try incorporating a variety of textures into your black and white images as a means to create a stronger conversion.
Light always matters in photography, and there’s no exception...
There’s something timeless and captivating about a black and white image. With the absence of colour, a viewer is forced to pay attention to certain aspects within a frame. Creating a strong black and white image is much more than a simple post-processing conversion. There are many ways in which a photographer can create a strong black and white image. In this three-part series, I will be sharing with you my secrets for creating powerful black and white imagery.
Not all images are meant to be black and white, and a photographer must always ask herself if an image is stronger in black and white. A photographer should learn to see a scene in black and white. This is super tricky, though, because humans see the world in a range of colours.
Colour in a black and white conversion is represented along a greyscale. Each colour is assigned a tone of grey from pure black through full white. A scene with a wide range of colours is likely to convert...
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